A new segment on my youtube channel! On the Stereo is where I rant and rave about whatever artist I'm currently stuck on, and hopefully it will turn you on to some music you may have never heard before. This week I'm talking about Madlib, a legendary hip-hop producer who is behind such albums as Madvillainy by Madvillain (an album that's in my top-ten for hip-hop without a doubt) and The Unseen by Quasimoto, an album I hope to own soon. Great stuff! Stay tuned as this blog becomes active again!
Tuesday, April 1, 2014
Youtube Tuesdays: ON THE STEREO
A new segment on my youtube channel! On the Stereo is where I rant and rave about whatever artist I'm currently stuck on, and hopefully it will turn you on to some music you may have never heard before. This week I'm talking about Madlib, a legendary hip-hop producer who is behind such albums as Madvillainy by Madvillain (an album that's in my top-ten for hip-hop without a doubt) and The Unseen by Quasimoto, an album I hope to own soon. Great stuff! Stay tuned as this blog becomes active again!
Labels:
hip-hop,
Madlib,
Madvillainy,
MF DOOM,
music,
On the Stereo,
rap,
vlog,
youtube
Friday, March 28, 2014
New Triptykon!
At the bottom of this page are two new Triptykon songs. They rule. In fact, you can just skip my two cents and listen to the songs right now, leave a nasty comment chastising me for my neglecting of this blog, and never visit this page again, and that would be fine with me. Why? Because all that's important is that you hear new Triptykon music, end of story.
I'll be honest here; I initially dismissed this project when it was announced. I didn't care whatsoever. Then one day I heard "Goetia". After thoroughly punishing myself for my ignorance of the awesomeness that was Triptykon, I went out and bought a physical copy of the album, Eparistera Daimones (people still do that.) and it became what was easily my favorite album of that year. In fact, it's minimalistic and simple approach (no "shreddy" technical guitar wizardry to be found) became a huge influence on me as a guitarist. It showed me that you don't need to be Joe Satriani or Steve Vai to make good hard rock or metal, and in this case, Tom G. Warrior surpassed those artists in terms of depth and emotional content. I realize that comparing the music of Triptykon to Satriani and Vai isn't that great of a comparison, but let's move along.
Did these two new songs hit me in the same way that "Goetia" did four years ago? Not at all, however, they get me very excited about the future release of the album that will follow up Eparistera Daimones (titled Melana Chasmata) which had such a huge impression on me. Listen for yourselves, and are you guys as excited as I am?
I'll be honest here; I initially dismissed this project when it was announced. I didn't care whatsoever. Then one day I heard "Goetia". After thoroughly punishing myself for my ignorance of the awesomeness that was Triptykon, I went out and bought a physical copy of the album, Eparistera Daimones (people still do that.) and it became what was easily my favorite album of that year. In fact, it's minimalistic and simple approach (no "shreddy" technical guitar wizardry to be found) became a huge influence on me as a guitarist. It showed me that you don't need to be Joe Satriani or Steve Vai to make good hard rock or metal, and in this case, Tom G. Warrior surpassed those artists in terms of depth and emotional content. I realize that comparing the music of Triptykon to Satriani and Vai isn't that great of a comparison, but let's move along.
Did these two new songs hit me in the same way that "Goetia" did four years ago? Not at all, however, they get me very excited about the future release of the album that will follow up Eparistera Daimones (titled Melana Chasmata) which had such a huge impression on me. Listen for yourselves, and are you guys as excited as I am?
Friday, February 21, 2014
100th Post!: Behemoth - The Satanist ALBUM REVIEW
Little needs to be said
at this point about Behemoth frontman Adam “Nergal” Darski’s struggles with
leukemia which led to such a lengthy delay between 2009’s Evangelion and 2014’s
The Satanist. All that’s necessary to say is, “Nergal, welcome back.”
Everything is just as you left it; not a single pentagram left without a
severed goat’s head attached, nor a cross not properly inverted. And with the
return of such a notorious, controversial, and brutally heavy band, we’re
offered a noticeable stylistic shift from previous releases. This time,
Behemoth roll back on the death metal and add in some old, fermented black
metal ingredients into their metallic recipe for heavy, savory sonic
satisfaction.
Labels:
Behemoth,
black metal,
death metal,
heavy,
metal,
Metal Blade,
music,
Poland,
review,
rock,
The Satanist
Thursday, January 30, 2014
New Wolves in the Throne Room Album Details
Wolves in the Throne room (and no, I don't believe they're a hipster band) are easily one of my favorites in modern metal, at least, when they WERE making metal, which has just come to a temporary end. According to the band regarding their upcoming album Celestite:
Celestite arises with a whole new, ethereal approach. There are no drums and no vocals. Rather, deep, heavy crystalline synthesizer journeying, Eno-inspired analog processing and arcane acoustic instrumentation expand upon dimensions folded within the universe of Celestial Lineage.So, not only is it a companion piece to their last album (many songs are based on backing tracks of Celestial Lineage) but it will not be a metal album whatsoever. I'm a tad disappointed about this, because WITTR has been a go-to band whenever I wanted to listen to some black metal in the past, and I was looking forward to some more of that style from them on their new album, however, this is exciting as well because of the ambient "Brian Eno" influenced music that will come out on Celestite.I do wish that some vocals would show up on this thing, though. Some distant black metal shrieking would turn this into a nice black ambient record, meaning that not all black metal influence would be lost but, alas, this isn't to be.
So, this album might be a fresh, nicely executed idea. This album could potentially blow me away. Or, this new album could potentially be a pile of "meh". I'll hold my judgement until the album is released in the first quarter of this year.
Saturday, January 25, 2014
New Content!
Hey guys! So, I have new content up on Sputnik and Youtube, so here's a rundown
- Indian-From All Purity ALBUM REVIEW: Indian's latest album has finally turned me into a fan of this band. Their last album Guiltless was decent, but a little one-note. This new album embraces more noise experimentation and is actually HEAVIER than their last album as well. I dig it. Read it HERE
- Jeff Buckley-Grace ALBUM REVIEW: Grace is one of my all time favorite albums from on of my all time favorite singers. It's a treat that every music fan should try. The review was received very well, so read it HERE
- Also, check below for a new video discussing the burden of proof. Is it on theists? Or is it on atheists? You decide
As always: Stay based, and keep it heavy!
Sunday, January 19, 2014
The Pallbearers (A Poem)
The Pallbearers.
They carry me westward,
covered in velvet,
encased in mahogany.
Wander to the site of a lonely grave,
hallowed out, ready to embrace me.
A count of five.
Silence among the rustling winds.
A tear escapes the eye of one
as he begins to hum a sorrowful tune.
He sheds inhibition and begins to sing.
A high tenor, trembling slightly.
One, then two.
Three, then four.
The five dour men begin singing the tune of the Foreigner
as I’m buried six feet deep.
Given to the grave.
Into new life.
Labels:
doom metal,
heavy,
metal,
music,
Pallbearer,
poem,
poetry,
rock
Saturday, January 18, 2014
A Poem (For Jeff)
You
pull the mojo pin on your grenade.
I
see your soul escape its callous shell
and
seep into my mind
and
into my heart.
Mingling
with my very own soul.
It
leads me through the tangles of neurons
to
a tranquil place
Soul
to soul.
It
whispers in a godly falsetto.
A
note lasting an eternity
wandering
into future eons.
It
utters,
“Kiss
me. Please, kiss me”
I
do.
It
fiercely pulls away
Tears begin
slowly trickling down its silvery face
as
it struggles for a thing to say
“I
know that in time, I’ll only make you cry.”
All
placidness was lost as it bolted away
back
into its shell.
The
warm lights dimmed and faded
“No,”
I say “this isn’t over.”
“This
will not be your last goodbye”
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