As a somewhat chubby Swedish white kid whose imagery revolves
around seemingly random consumer goods like bucket hats, plastic g-shock
watches, Gatorade, Nintendo 64, and the ever-present Arizona iced tea, it was
easy to dismiss Yung Lean as a joke or a meme when he came out with his
mind-altering and imagery laden music videos like “Hurt” in 2013. However, the
young rapper is now taken as a serious artist even outside his fanbase (to a
degree), selling out shows in America and Europe and actually having the budget
to produce music videos that don’t look like they were directed and edited by a
heavily medicated monkey. Even pop superstar Justin Beiber is a fan. Strangely
enough, there isn’t really a punchline with Yung Lean as absurd as his music
and persona tends to be, and that fact renders his whole act as a giant
anti-joke heavily seasoned with post-irony. Lean also fits into an unfortunate
trend in hip-hop today where production supersedes the artist. For rappers like
Chief Keef, Waka Flocka, and Yung Lean; lyricism, flow, and delivery are not
the paramount considerations. “Is the beat bangin’?” If it is, then the record
has done its job. Without the production chops of Lean’s “sadboy” cronies Yung
Gud and Yung Sherman, the entire appeal of his music would helplessly unravel,
leaving a skeleton made up of empty Arizona cans and old Nintendo cartridges
with a bucket hat on top.
Wednesday, September 24, 2014
Tuesday, September 16, 2014
My Top 30 Favorite Albums!
My top 30 albums list is done. Below is the video I did for the top 25, the other 5 are included in my Sputnik list here. Is number one REALLY Goblin? Find out by watching the video!
Judas Priest: Redeemer of Souls ALBUM REVIEW
Black Sabbath (and to a lesser extent, Led Zeppelin) may be
responsible for “inventing” heavy metal, but it was the mighty, leather-clad
Judas Priest who should be credited with defining what we commonly refer to as
metal today. Priest was the band responsible for gradually subtracting the
blues element out of heavy rock, and while there is certainly nothing negative
about blues-based rock, we most likely would never know what thrash metal is -
and in turn the various forms of extreme metal that came later – without this
crucial shift in style. While purging the blues from their equation during
their ‘70s years, Priest added a hefty dose of drama into their sound to
balance things out (most likely influenced by Queen more than any other) and
these kinds of dramatics can be seen all over the metal sphere today in bands
like Candlemass and Blind Guardian. So when presented with a new album from
such a monumentally important act in the pantheon of heavy metal, this late in
their career at that, one has to ask “What could they possibly have to prove in
2014? Can I expect anything new? Is Judas Priest still the band flying the flag
for metal?”
Labels:
heavy,
Judas Priest,
metal,
music,
NWOBHM,
Redeemer of Souls,
rock
Monday, September 8, 2014
How To Get A Better Metal Tone
This video is kind of a long ramble where I repeat myself too much, so here is a condensation of my main points if you don't want to watch all 12 minutes of this shit...If you have any more questions after reading the list below then this vid may have the answers. If not, message me in the comments section.
Tuesday, September 2, 2014
YUNG LEAN TO RELEASE UNKNOWN MEMORY 9/23/14 #HOLYSHIT #2001
I pronounce today to be a very good day and it's only a little after noon. My book club starts a new book today, I plan to go out on my bike for a while, and I think I'll even indulge on a rich, delicious cinnamon roll.
Oh, and the release date for My God Yung Lean's new album Unknown Memory has been revealed. I'm freaking out.
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